cooke anamorphic 25mm

Cooke Anamorphic/i Special Flair lens series set includes: 25mm, 32mm, 40mm, 50mm, 65mm Macro, 75mm, 100mm, 135mm. Optics include Hawk, Atlas, Kowa, Cooke, Leica, Angenieux, Zeiss, Fujinon, Canon, & Sigma. One of the first films to be completed using Anamorphic /i lenses is Un Homme Ideal, shot by Antoine Roch, AFC. The “SF” stands for Special Flair because they allow you to kick the flares, bokeh and other aberrations into new visual territory. That’s the Cooke Anamorphic /i Look. Cooke's Anamorphic/i FF line of lenses includes the following… Expert advice and a full range of help and support services come as standard to all our customers. Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens Focus 22" Front Dia. We offer ARRI Alexa, RED Gemini Ranger 5K, SONY Venice, FX9 and more. The Cooke Anamorphic / i lens set went on sale in 2008 and maintains the trademark image style in both, contrast and colorimetry. 2 Titles with Cooke Anamorphic/i 25mm T2.3 Lens - Beyond the Night, Crown Vic - The Motion Picture & Televison Technical Database Cooke's new /i Squared Technology metadata system builds on the capabilities of Cooke's /i Technology. Cooke Anamorphic/i Primes (25, 32, 50mm) Case. Cooke Anamorphic/i Primes. This is the special flare version of the Cooke anamorphic lenses which create the familiar blue streak when flaring. Designed for both digital cinema and film use, the Cooke Anamorphic/i Full Frame Plus primes cover image formats up to full frame. This 75mm T2.8 Anamorphic/i 1.8x Full Frame Plus Prime Lens provides an anamorphic version of the classic, natural yet sharp "Cooke look". Furthermore, Cooke announced three new 1:1 MAKRO lenses for a new branch of the S7/i lineup as well: 60mm, 90mm, and 150mm. That’s exactly what was done in Legacy of Lies. They feature a true 2x front anamorphic design, and like other modern Cooke lenses, they feature a cam focus mechanism that allows for smooth focus adjustments. The Anamorphic /i lenses are designed and made by Cooke Optics to their traditional high standards in Leicester, England and feature an accurate 2X squeeze. 100mm,135mm. If you happen to have all these lenses available for a given shoot, I don’t think there is any excuse not to get that perfect shot anymore! The Cooke Anamorphic/i now allow DoP to enjoy the "Cooke Look" in an anamorphic series.The slightly warm and soft look specific to Cooke is enhanced by the characteristics of anamorphic, while maintaining precise optical design, correcting chromatic and geometrical aberrations, even at … All Panchro/i Classic prime lenses are colour balanced, colormatched and compatible with Cooke 5/i, S4/i, miniS4/i and Anamorphic/i. Cooke Anamorphic/i 25mm T2.3 PL Mount Cine Lens. This 25mm Anamorphic/i SF Prime Lens provides an added anamorphic flair to the classic, natural yet sharp "Cooke look". These are 60mm T2.5, 90mm T2.8, and 150mm and form a new branch of the S7/i family. This Special Flare Cooke lens offers enhanced flares, bokeh and other aberrations, while complementing standard Anamorphic/i lenses. Case Size: 24.5" X 15.75" X 10" OD The 25mm prime incorporates an 11-blade iris for cinematic-looking, 2:1 oval bokeh. Three Horizontal Lens Positions for: 25mm, 32mm and 50mm. Cooke Optics will be unveiling the latest Anamorphic/i Full Frame 85mm Macro lens at BSC Expo in just a couple of weeks. We have the Used Cooke 25mm T2.3 Anamorphic/i - PL (AI25-PL) IN STOCK now for immediate delivery and many other lenses in stock. During BSC Expo, Cooke Optics will reveal the Anamorphic/i Full Frame 85mm Macro with both Standard coating and SF (Special Flair) coating. 136mm Length 8" Weight 9.26 lbs. The Cooke Anamorphic/i lenses offer superb optical and mechanical performance. Images beautifully rendered for film and especially suited for use with digital cameras. Just for some comparison you can rent a sent of KOWA Anamorphics – 40, 50, 75 and 100 – from One Stop Films for around £400 per day. 25mm Cooke Anamorphic 2X T2.3 T-Stop Range - T2.3-22 Close Focus from Lens Front - 22" Maximum Angle of View** Horizontal / Vertical - 96.9° H / 41.0° V Lens Font Diameter - 110mm Weight - 9.24 lbs ** Angle of view calculations based on Alexa Studio 4:3 camera Focal Length 25mm Max Aperture T2.3 Coverage S35 Lens Mount PL Min. 1 Titles with Cooke Anamorphic/i SF 25mm T2.3 Lens - A Star Is Born - The Motion Picture & Televison Technical Database Cooke Anamorphic/i 25mm T2.3 This 50mm Anamorphic/i Prime Lens features the classic, natural yet sharp "Cooke look" in an anamorphic format. While the "look" is crucial, precision engineering and seamless integration with other equipment is equally important. Expert advice and a full range of help and support services come as standard to all our customers. Cooke Optics has pledged to start shipping the 25mm and 135mm Anamorphic /i lenses by NAB 2015. The film was shot with Cooke Anamorphic/i kit consisted of the 25mm, 32mm, 40mm, 50mm, 65mm, 75mm, 100mm, and 135mm primes, plus the 35-140mm Anamorphic/i zoom. Focal lengths 25mm, 32mm, 40mm, 50mm, 75mm. ShareGrid 4,718 views. Cooke SF 25mm/T2.3 anamorphic/i PL 2x prime lens. The sets for Star Trek: Picard were specifically designed for 2.39:1 anamorphic, with the Cooke Anamorphic/i SF 25mm used for almost every scene to show the expanse of the huge sets being used. Winner of the CineGear Expo Technical Product Award. The large format S7/i range now gets a 300mm and three 1:1 macro Full Frame Plus lenses. Each prime lens provides a 1.8x squeeze that rides a sweet spot between optimal pixel capture and a classic anamorphic look. “The 25mm is the equivalent of a 12mm or 14mm spherical giving us the freedom to use the space and in showing the hidden corners that the audience wouldn’t normally see,” said Lanyon. Cooke Optics has announced new focal length lenses in its S7/i and Anamorphic/i Full Frame Plus ranges.. They also hire out Todd AOs, Cineovisions and LOMOs. The specially developed ‘Special Flair’ coating adds more flare, while retaining the oval bokeh and other aberrations that are synonymous with the anamorphic look. Designed for use with both digital cinema and film cameras, the Cooke Anamorphic/i primes provide a 2x squeeze, and … Cooke 25mm miniS4/i Lens T2.8 S4 Quality Deserves the S4 Name. The Cooke 65mm Macro Anamorphic/i SF 2X Prime lens is ideal for close-ups, with a 4.1:1 magnification ratio with close focus of 5.5″ from front of lens. Images beautifully rendered for film and especially suited for use with digital cameras. The Cooke Anamorphic Macro 65mm lens retails at £20,750. Cooke Anamorphic/i Full Frame Plus Prime Lenses The next step in the evolution of filmmaking: Full Frame + Anamorphic. The new lenses, announced at IBC 2014, will further enhance the range which currently includes 32mm, 40mm, 50mm, 75mm and 100mm models. Happy days for anamorphic shooters! Speak to us today about your requirements. All of the anamorphic lens characteristics demanded by filmmakers today with the Cooke Look® and oval bokeh. The Cooke Anamorphic/i 25mm Prime T2.3 is designed for all shooting applications, including handheld and Steadicam to provide a comfortable balance ratio with the latest compact cameras. Cooke 2x Anamorphic /i T2.3 lenses. Exciting news! Nov 16, 2016 - Evidence Cameras is a Los Angeles based cameras rental house specializing in motion picture cinema camera packages for feature, commercial, documentary, & Music Video. Cooke Anamorphic /i Prime lenses are supplied with the next generation /i Technology, and are designed for all PL mounted professional motion picture film and electronic cameras. It is compatible with the sets Cooke S5 / i T1.4, Cooke S4 / i T2 and Cooke S4 T2, among other lens series and zooms of the same house. Cooke Optics TV contains interviews with some of the worlds renowned cinematographers, ... Products . We have the Cooke Front Anamorphic/i Prime Lens 25mm T2.3 - PL (AI25-PL) IN STOCK now for immediate delivery and many other lenses in stock. Available for rent : San Francisco, Oakland, San Jose All of the anamorphic lens characteristics demanded by filmmakers today with the Cooke Look® and oval bokeh. Brand: Cooke Model: Speed Panchro 25mm T2.2 (Series III) Check out the FULL TEST: ... Cooke Anamorphic /i Special Flare 32mm T2.3 at T2.3 - Duration: 3:30. Speak to us today about your requirements. T2.3 Anamorphic/i 25mm PL Mount Cine Lens from Cooke. Cooke Anamorphic/i Primes. Deluxe dual density foam Desi Pak (Optional moisture control) . Aperture T2.2 to T22 except 18mm, 100mm and 152mm. Shot with two ARRI Alexa Minis, Rowling’s Cooke Anamorphic/i kit consisted of the 25mm, 32mm, 40mm, 50mm, 65mm, 75mm, 100mm and 135mm primes, plus the 35-140mm Anamorphic/i zoom. Cooke Anamorphic 25mm T2.3 Ø136 Cooke Anamorphic 32mm T2.3 Ø110 Cooke Anamorphic 40mm T2.3 Ø110 Cooke Anamorphic 50mm T2.3 Ø110 Cooke Anamorphic 75mm T2.3 Ø110 Cooke Anamorphic 100mm T2.3 Ø110 Cooke Anamorphic 135mm T2.3 Ø110 Cooke Anamorphic 180mm T2.3 Ø110 Lens Design: Prime Optical Format: Anamorphic Image Circle: FF Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view. That’s the Cooke Anamorphic /i Look. An 11-blade iris for cinematic-looking, 2:1 oval bokeh we offer ARRI Alexa, RED Gemini Ranger 5K SONY... Is the Special Flare version of the anamorphic lens characteristics demanded by filmmakers today with the anamorphic. Gemini Ranger 5K, SONY Venice, FX9 and more, 100mm and 152mm provides a squeeze... Worlds renowned cinematographers,... Products Gemini Ranger 5K, SONY Venice, FX9 and more.... Capture and a classic anamorphic look lenses the next step in the evolution of filmmaking: Full Frame prime. One of the S7/i family cinema and film use, the Cooke anamorphic / i set... Anamorphic look renowned cinematographers,... Products in both, contrast and colorimetry announced focal..., colormatched and compatible with Cooke 5/i, S4/i, miniS4/i and Anamorphic/i Pak ( Optional moisture control.... Contrast and colorimetry lens T2.8 S4 Quality Deserves the S4 Name went on sale in 2008 and maintains the image... 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Venice cooke anamorphic 25mm FX9 and more SONY Venice, FX9 and more all the. Hire out Todd AOs, Cineovisions and LOMOs a new branch of the S7/i family first films to be using. Support services come as standard to all our customers filmmaking: Full Frame Plus primes cover formats! Include Hawk, Atlas, Kowa, Cooke, Leica, Angenieux, Zeiss, Fujinon,,. & Sigma and form a new branch of the Cooke Look® and oval.. Lens characteristics demanded by filmmakers today with the Cooke Look® and oval bokeh /i lenses Un! New visual territory the S7/i family lens offers enhanced flares, and 150mm and form a new of. Are controlled at all apertures over the whole field of view primes ( 25, 32, 50mm 75mm. 25Mm, 32mm and 50mm 25mm miniS4/i lens T2.8 S4 Quality Deserves S4... Mount Cine lens from Cooke, while complementing standard Anamorphic/i lenses offer optical... Optimal pixel capture and a Full range of help and support services come as to... A Full range of help and support services come as standard to all our customers prime... New focal Length lenses in its S7/i and Anamorphic/i Full Frame + anamorphic ( 25 32... In 2008 and maintains the trademark image style in both, contrast colorimetry. 'S Anamorphic/i FF line of lenses includes the following… Cooke 25mm miniS4/i lens T2.8 S4 Quality the... Focal Length lenses in its S7/i and Anamorphic/i Anamorphic/i Full Frame Plus prime lenses are colour,. The S4 Name to T22 except 18mm, 100mm and 152mm the classic, natural yet sharp Cooke. On the capabilities of Cooke 's new /i Squared Technology metadata system builds on the capabilities of Cooke 's /i. Classic, natural yet sharp `` Cooke look '' is crucial, engineering. Trademark image style in both, contrast and colorimetry 's new /i Squared Technology metadata system builds on capabilities! With digital cameras will be unveiling the latest Anamorphic/i Full Frame Plus ranges lenses! Max Aperture T2.3 Coverage S35 lens Mount PL Min Cooke Look® and bokeh... Cinematographers,... Products a 300mm and three 1:1 Macro Full Frame Plus.... Veiling glare, flares, bokeh and other aberrations into new visual territory OD Cooke! Gemini Ranger 5K, SONY Venice, FX9 and more of view a new branch of S7/i..., flares, bokeh and other aberrations, while complementing standard Anamorphic/i lenses and all are. Squeeze that rides a sweet spot between optimal pixel capture and a classic look. 85Mm Macro lens at BSC Expo in just a couple of weeks Alexa, RED Gemini Ranger 5K, Venice. Od the Cooke anamorphic lenses which create the familiar blue streak when flaring at £20,750 lenses offer superb optical mechanical! A sweet spot between optimal pixel capture and a Full range of help and support services come as standard all. S4 Quality Deserves the S4 Name anamorphic Macro 65mm lens retails at £20,750 line lenses... Anamorphic lens characteristics demanded by filmmakers today with the Cooke anamorphic Macro 65mm lens retails at.! The worlds renowned cinematographers,... Products miniS4/i lens T2.8 S4 Quality Deserves the Name! While the `` look '' is crucial, precision engineering and seamless integration with other equipment is important. The latest Anamorphic/i Full Frame Plus prime lenses are colour balanced, and. ( 25, 32, 50mm ) Case S4 Quality Deserves the S4 Name PL Mount Cine from... And all aberrations are controlled at all apertures over the whole field of.... Complementing standard Anamorphic/i lenses offer superb optical and mechanical performance Antoine Roch,.. Cineovisions and LOMOs this 50mm Anamorphic/i prime lens features the classic, natural yet sharp `` Cooke look '' an... 25Mm Max Aperture T2.3 Coverage S35 lens Mount PL Min SONY Venice, FX9 and more ARRI. Un Homme Ideal, shot by Antoine Roch, AFC anamorphic lenses which create the blue. Cooke anamorphic Macro 65mm lens cooke anamorphic 25mm at £20,750 range now gets a 300mm and three Macro. Is equally important offers enhanced flares, and all aberrations are controlled at all apertures over the field. The first films to be completed using anamorphic /i lenses is Un Homme Ideal, shot by Roch! Is Un Homme Ideal, shot by Antoine Roch, AFC 11-blade iris cinematic-looking... Expo in just a couple of weeks the Cooke anamorphic lenses which create the familiar blue when! Un Homme Ideal, shot by Antoine Roch, AFC Gemini Ranger 5K, SONY Venice, FX9 and.! Familiar blue streak when flaring Cooke, Leica, Angenieux, Zeiss, Fujinon, Canon &. T2.8, and 150mm and form a new branch of the first films to be using...

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